Macbeth REVISED
Shakespeare's tragedy of Macbeth is, in some ways, the story of a disaster that everyone can see coming. After all, it opens with characters -- the Three itches -- who can see the future. hen Macbeth encounters them, the witches offer what Shakespeare terms "strange intelligence" or "prophetic greeting" -- predicting that he will attain the titles of Thane of Cawdor, Thane of Glamis, and King of Scotland (I.iii). The question the play poses, then, is what Macbeth can or cannot do to manipulate the existing circumstances to fulfill his own ambition and the witches' prophecy. The witches predict Macbeth will be the king -- they do not predict that he will murder Duncan to make it happen. Shakespeare does not use the term "manipulate" for Macbeth's way of becoming king, but instead couches it in terms of daring -- as Macbeth will tell his wife, when he begins…...

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Works Cited

Shakespeare, William. The Tragedy of Macbeth. Accessed online at:  http://shakespeare.mit.edu/macbeth/full.html

Shakespeare is, above all, a dramatist whose characters are defined by their language: the language they use and how they are affected by language. There is no singular discourse that unites all of the characters of the play: rather the witches, Macbeth, and Lady Macbeth all share in a particular way of rendering language which begins with the witches' incantation at the beginning of the text and follows through to end of the play. Macbeth receives their language, passes it on to Lady Macbeth in the form of a letter, who then reconfigures it in a persuasive manner to lure Macbeth to kill. The seductive notion that their prophesies can be 'true' causes Macbeth to believe the witches, to trust Lady Macbeth's words, and his character is literally eaten alive and possessed by their words until he is a shell of a man. Banquo, in contrast, merely hears the witches'…...

Macbeth and Oediups Rex are great tragedies from two very different time periods. Even though such different writers wrote them, and in such different times, the similarities that exist between the two are remarkable. Shakespeare and Sophocles both understood exactly what it took to write great tragedy. By comparing how fate plays a part in each play, it is better seen that perhaps Sophocles and Shakespeare were on similar wavelengths. Are the tragic heroes of each play doomed to live out their fate or is there an element of free will that causes each of their downfalls. Surely, it may be a little of both.
Oedipus tells the story of a young boy named Oedipus, who, when he was born, was given up to be adopted by his mother and father. Later when Oedipus was growing up, he asked his adopted parents who his mother and father really were. hen he…...

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Works Cited

Bloom, Harold. Shakespeare's Macbeth. New York: Chelsea House, 1987.

Coursen, H.R. Macbeth: A Guide to the Play. Westport, CT: Greenwood Press, 1997.

Nostbakken, Faith and Claudia Durst Johnson. Understanding Macbeth: A Student Casebook to Issues, Sources, and Historical Documents. Westport, CT: Greenwood Press, 1997

Shakespeare, William. MacBeth. New York: Washington Square Press, 1992.

This scene illustrates the difference between Lady Macbeth and her husband. She sees the big picture and the risks involved with getting what she wants. She understands those risks and accepts them as mere obstacles. In this light, she is cold and calculating. She is afraid of nothing and is quick to pray for what it takes:
Come, you spirits

That tend on mortal thoughts, unsex me here

And fill me from the crown to the toe top-full

Of direst cruelty. (I.v.38 -- 41)

She knows she lives in a man's world but that does not deter her in the least. She will simply use her husband to get what she wants and she has no doubt that she can do this. She knows he needs her support, however. Later, she tells him, "But screw your courage to the sticking-place / And we'll not fail" (I.vii.64-5). Her support is crucial because it allows him…...

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Work Cited

Shakespeare, William. Macbeth. The Complete Works. New York: Barnes and Noble Books.

Macbeth
The title character of Shakespeare's Macbeth is one of its most evil villains. Macbeth and Lady Macbeth both plot a series of heinous murders, beginning with the cold-blooded killing of Duncan, to the chamberlains, Banquo, and Macduff's wife and children. Macbeth's only concern is to obtain and secure his position of power, and he rapidly descends into insanity as the play progresses. As the drama's main character, Macbeth is certainly the protagonist; all the action in the play centers on Macbeth, his character and his actions. However, unlike many protagonists, Macbeth is not the play's hero. Although he is a relatively minor character in the play, Macduff emerges as the play's true hero by Act II, scene three. Not only was he the first to become wise to Macbeth's nefarious nature, but Macduff takes decisive and successful action against the evil king. Were it not for Macduff, Malcolm would probably…...

Macbeth knows what he plans to do is wrong, even though his wife encourages his ambitions. He acknowledges that what he is going to do is so evil that he does not to see the hand that will do the deed. At the same time he diminishes the deed, saying that a wink of the eye will be enough to block the crime from his view, showing that desire for power has overcome his sense of right and wrong:

Stars, hide your fires:

Let not light see my black and deep desires:

The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see." (I.5 50-53)

Macbeth's wife eventually kills King Duncan, and goes mad from the resulting guilt. Meanwhile, Macbeth, although a brilliant general, makes a poor king, especially when compared to Duncan. Eventually he is killed by his former friend MacDuff.

The play Macbeth is…...

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Bradley, A.C. "Shakespearean Tragedy," in GLOBAL CAMPUS: Distance Learning at Columbus State. Accessed via the Internet 8/25/06. http://global.cscc.edu/engl/264/TragedyLex.htm

Cahn, Victor L. Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories, Comedies, and Romances. Oxford: Praeger, 1996.

Shakespeare, William. Macbeth. Accessed via the Internet 8/25/06.  http://www.william-shakespeare.info/script-text-macbeth.htm

In short, he chooses evil over good.
Macbeth somehow justifies murdering Banquo and Fleance, which demonstrates his deteriorating mental state. He did not struggle with murdering them as he did with Duncan.

He says:

For them the gracious Duncan have I murder'd;

Put rancours in the vessel of my peace

Only for them; and mine eternal jewel

Given to the common enemy of man,

To make them kings, the seed of Banquo kings! (III.i. 65-69).

Macbeth no longer stops to question his behavior or his motives. He simply moves forward with his plan. He plans the murders and make provisions for them on his own. The fact he does not need Lady Macbeth to prod him along illustrates his mental instability. His behavior even startles Lady Macbeth.

Macbeth becomes an excellent case study in the decline of the human psyche when certain aspects are in place. Macbeth possesses a healthy amount of desire and ambition when we him…...

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Work Cited

Shakespeare, William. Macbeth. New York: Washington Square Press New Folger Edition.

" (I.v.64-66). She even summons the spirits to free her from the weakness of femininity "Come, you spirits / That tend on mortal thoughts, unsex me here" (I.v.41-42) because she associates cruelty and lack of remorse with manhood. In many cases, politics is about what takes place behind the cameras in the sense that rivalry, treason and the corruptive influence of ambition are never expressed in an open manner, but kept hidden and set free only when the lights go out. From this point-of-view, Lady Macbeth could represent the instigator, the morally flawed individual who pushes towards wrongdoing even though she does not get her hands dirty.
Another important factor which could account for the appeal of the play is the fact that it clearly traces the line between good and evil (Nostbakken, 1997, p. 25) even though language and dialogue suggest the exact opposite. In this sense, equivocation is a…...

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Bibliography

Shakespeare, William. Macbeth. The Oxford Shakespeare. Internet.  http://www.bartelby.com/70/index41.html 

Coursen, H.R. (1997). Macbeth: A Guide to the Play.Greenwood Press.

Nostbakken, Faith. (1997). Understanding Macbeth: A Student Casebook to Issues, Sources, and Historical Documents. Greenwood Press.

/ He shall spurn fate, scorn death, and bear / His hopes 'bove wisdom, grace, and fear. / And you all know security / Is mortals' chiefest enemy." (Act III, cene 5).
True to the prophesy of the above words, Macbeth destroys both his security and power by succumbing to the illusion of security. The appearance of extreme wealth and power blinds him to the true danger around him and to the false promises of the witches. In this way the play acts as a warning for the audience: wealth and power are likely to bring more grief and danger than they are worth. They also destroy any meaningful connection that might exist between the human being and the divine.

In modern-day works of art, the same warning is issued, although in a more light-hearted, redeeming fashion. Furthermore, material wealth and the divine come closer to each other than in hakespeare's…...

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Sources

Howard, Ron. "How the Grinch Stole Christmas." 2000.  http://www.imdb.com/title/tt0170016/ 

Led Zeppelin. "Stairway to Heaven" Lyrics available online:  http://www.lyricsfreak.com/l/led+zeppelin/stairway+to+heaven_20082076.html 

Shadyac, Tom. "Bruce Almighty." 2003.  http://www.imdb.com/title/tt0315327/ 

Shakespeare, William. "Macbeth." 1602. Available online at  http://www.william-shakespeare.info/script-text-macbeth.htm

Macbeth and the Spanish Tragedy Viewed Through Female Eyes
omen and power are often viewed as anathema in the conventional view of Jacobean drama, although ironically the dramatic form reached its height during the reign of Elizabeth. Lady Macbeth is often cited as proof positive that women in tragedy are seen as sources of negative, rather than positive power when they exercise statesmanship and personal choice. But Shakespeare's Lady and also the lesser known Bel-Imperia of Thomas Kyd's earlier revenge play both function not so much as negative sources of power, but as the moral reflections of the men in their lives and the world in which they live, both for good and for ill.

According to the common conception of Lady Macbeth, the wife of the Thane of Cawdor is an evil, malicious shrew, full of gall rather than the "milk of human kindness." (1.1.15) However, although Lady Macbeth is hardly…...

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Works Cited

Shakespeare, William. "Macbeth." Washington Square Press 1992.

Kyd, Thomas. "The Spanish Tragedy." Oxfords World's Classics: Oxford English Drama Four Revenge Tragedies. Oxford University Press, 1988

Macbeth Gothic
The great play Macbeth by the wonderful English author William Shakespeare is a very haunting and scary depiction of a royal Scottish family. Even though this play was written and performed in time period that would be considered pre-Gothic, this play demonstrates some very Gothic elements in its contents. The purpose of this essay is to demonstrate how Macbeth is quintessentially a gothic work. This essay will accomplish this by describing several key qualities that are seen in gothic works and show how Shakespeare wrote Macbeth with those very same qualities.

The Supernatural

When scary and things such as witches and ghosts appear in a story or piece of art, it is a very gothic element. In Shakespeare's Macbeth, there are three witches that play an important role in the play. Also there is much talk of a devil, Satan, and murder. Macbeth is often portrayed as losing his minds to…...

Macbeth
In Act I Scene 2 of the tragedy of Macbeth, Shakespeare -- after giving a brutally graphic description of how Macbeth "unseam'd…from the nave to the chaps" an enemy soldier -- makes his hero's name rhyme with the word "death" at the scene's conclusion (64-5). Of course the technique of the play is to combine psychological realism with densely-written poetic language. Yet I hope that an examination of the play's supposed moment of comic relief in prose -- the "Porter Scene" that opens Macbeth Act 2 Scene 3 -- reveals, when read as poetry, an additional level of grotesque imagery. I think a closer examination will reveal that, although the Porter's dialogue is written in prose, it deserves to be called "prose-poetry," for Shakespeare still uses metaphor, linguistic detail, and context in order to achieve the same level of condensed and knotty language which characterizes his verse.

The "Porter Scene" technically…...

The article goes into significant details about the genealogical structure of the Scottish families that were on the Scottish throne at that point. Although Shakespeare does not follow exactly the historical line, most of his characters and actions are closely linked with the historical realities.
The article briefly goes through a description of the Scottish life and Scotland at the time of King Macbeth, as they are also reflected in the play. esides raides from the Vikings from Norway and Denmark, medieval Scotland is also dominated by a belief in witches (which appear in the play) and the unnatural. However, the author points out that authorities took drastic measures against witchcraft.

Finally, the article includes a presentation on England in the time the play was written, namely during the time of James I, with a description of historical events (the Gunpowder Plot and the Gowrie Conspiracy among these) and general traits…...

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Bibliography

Overview of Macbeth." EXPLORING Shakespeare. Online ed. Detroit: Gale, 2003. Student Resource Center - Gold. Thomson Gale. SMITHSON VALLEY HIGH SCHOOL. 1 Nov. 2007

The Historical Context of Macbeth." EXPLORING Shakespeare. Online ed. Detroit: Gale, 2003. Student Resource Center - Gold. Thomson Gale. SMITHSON VALLEY HIGH SCHOOL. 1 Nov. 2007

Gurewitsch, Matthew. "This Time, No Laughing at the Witches.(Arts and Leisure Desk)(MUSIC)." The New York Times. 157. 54104 (Oct 21, 2007): 30(L). Student Resource Center - Gold. Thomson Gale. SMITHSON VALLEY HIGH SCHOOL. 1 Nov. 2007

Thus he sought to kill both Banquo and his son Fleance in order to further decrease the chances of a later betrayal. His actions appear irrational on a surface level, but due to his avid focus on independence he would not seek counsel from Lady Macbeth, someone who is much more subtle and knowledgeable about internal politics and political intrigue. Macbeth's near irrational paranoia finally alienates him not only from his wife, but also the majority of nobles within the Scottish polity. Thus, while Macbeth's personal power continues to rise because he gains complete ownership over his own actions, at the same time he is also increasingly isolating himself from the outside world. With Macbeth's continuing disregard for Lady Macbeth, she finally succumbs to a combination of regret and guilt and ends her own life. In her final moments she continued to question, "what, will these hands never be…...

They believed in the idea of yrd, or the Nordic version of fate. This fate was based on past events of an individual's life. Their future would be adjusted accordingly by yrd, much like the Eastern idea of Karma, (Herbert 1995). It was the destiny of all men, based on what individuals had done previously in their lives. This element is prevalent throughout Shakespeare's Macbeth, in that his fate is what eventually leads him to his downfall. Because of his treacherous actions in murdering the King and his friend Banquo to steal the crown, Macbeth ensured that yrd would eventually come to take its revenge for his deceitful behavior. This pagan tradition did not fully die out with the region's conversion to Christianity; rather it moved from a strong religious practice into folk tales. Anglo-Saxon traditions and beliefs are still engrained into British literary traditions.
The earlier idea of yrd…...

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Works Cited

Boyce, Charles. Shakespeare a to Z. Round Table Press. New York. 1990. pp.63-70.

Delahoyde. "Anglo-Saxon Culture." Washing State University Online. Found on Octoer24, 2007 at  http://www.wsu.edu/~delahoyd/medieval/anglo-saxon.html 

Herbert, Kathleen. Looking for the Lost Gods of England. Anglo-Saxon Books. 1995.

Muir, Kenneth. Shakespeare's Tragic Sequence. New York: Barnes & Noble

Shakespeare may be the most popular broad topic for essays in English classes.  He wrote some of the most well-known works in the English language and, while he is known for his plays, he is also known for poetry.  English essays may focus on his works, but it is also possible to write compelling essays about Shakespeare’s life, including the enduring popular topic of whether Shakespeare was the true author of the works credited to him. 

Here are some essay title suggestions:   

1. Bringing Home the Bacon: Questions About the Authorship of Shakespeare’s Plays
2. The Real Tragedy of....

- The role of gender and masculinity in Macbeth
- The symbolism of blood in Macbeth
- The use of supernatural elements in Macbeth
- The portrayal of power and ambition in Macbeth
- The theme of guilt and conscience in Macbeth
- The significance of sleep and dreams in Macbeth
- The impact of betrayal and deception in Macbeth
- The portrayal of mental illness and madness in Macbeth
- The relationship between fate and free will in Macbeth
- The role of the supernatural witches in Macbeth
One lesser-known but interesting topic to consider exploring in an essay on Macbeth is the theme of equivocation. Equivocation is the....

Lesser-Known but Fascinating Macbeth Essay Topics

While topics such as guilt, fate, and the supernatural are often explored in Macbeth essays, there are a plethora of lesser-known yet equally intriguing aspects of the play that warrant examination. Here are a few suggestions:

1. The Significance of Sleep and Dreams

In Macbeth, sleep and dreams play a pivotal role in foreshadowing events, revealing characters' inner turmoil, and underlining the play's themes of guilt and madness. An essay could delve into the symbolism of sleep and dream sequences, their impact on character development, and how they contribute to the play's overall atmosphere of suspense and....

1. The theme of ambition in Shakespeare's Macbeth
2. The character development of Lady Macbeth throughout the play
3. The role of the supernatural in Macbeth
4. Gender roles and expectations in Macbeth
5. The motif of blood in Macbeth
6. The concept of fate and free will in Macbeth
7. The manipulation and guilt of Macbeth
8. The downfall of a tragic hero in Macbeth
9. The relationship between violence and power in Macbeth
10. The significance of loyalty and betrayal in Macbeth
11. The portrayal of masculinity in Macbeth and how it contributes to the characters' actions and motivations
12. The use of imagery and symbolism in Macbeth to....